"A triumph of humanism in war-ravaged China of the 1940s, this work of autobiographical fiction not only shows Ba Jin at his best, but also demonstrates why he is rightly viewed as the 'conscience of China.'"-- Michelle Yeh, department of East Asian languages, University of California, Davis A major work by a towering figure in twentieth century Chinese literature, "Ward Four" ...(展开全部)

"Cancer Ward" examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. We see them under normal circumstances, and also reexamined at the eleventh hour of illness. Together they represent a remarkable cross-section of contemporary Russian characters and attitudes. The experiences of the central ch...(展开全部)

"Cancer Ward" examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. We see them under normal circumstances, and also reexamined at the eleventh hour of illness. Together they represent a remarkable cross-section of contemporary Russian characters and attitudes. The experiences of the central ch...(展开全部)

"A triumph of humanism in war-ravaged China of the 1940s, this work of autobiographical fiction not only shows Ba Jin at his best, but also demonstrates why he is rightly viewed as the 'conscience of China.'"-- Michelle Yeh, department of East Asian languages, University of California, Davis A major work by a towering figure in twentieth century Chinese literature, "Ward Four" ...(展开全部)

« J’ai été aimantée par cette double mission impossible. Acheter la maison et retrouver les armes cachées. C’était inespéré et je n’ai pas flairé l’engrenage qui allait faire basculer notre existence. Parce que la maison est au cœur de ce qui a provoqué l’accident. » En un récit tendu qui agit comme un véritable compte à rebours, Brigitte Giraud tente de comprendre ce qui a con...(展开全部)

In 1975, photographer Mary Ellen Mark was assigned by The Pennsylvania Gazette to produce a story on the making of Milos Forman’s film of Ken Kesey’s 1962 novel One Flew Over the Cuckoo’s Nest, shot on location at the Oregon State Hospital, a mental institution. While on set, Mark met the women of Ward 81, the only locked hospital security ward for women in the state: The inmat...(展开全部)

In 1975, photographer Mary Ellen Mark was assigned by The Pennsylvania Gazette to produce a story on the making of Milos Forman’s film of Ken Kesey’s 1962 novel One Flew Over the Cuckoo’s Nest, shot on location at the Oregon State Hospital, a mental institution. While on set, Mark met the women of Ward 81, the only locked hospital security ward for women in the state: The inmat...(展开全部)

異常の烙印を捺され社会から肉親から隔絶されたまま流れ流れる果てしない時間が突如として破られた…。とある精神病棟。殺人事件。熱い血と熱い涙。感涙を誘う長編。

[英]苏珊·赫伯特（Susan Herbert，1945—2014年） 当代最著名的戏剧动物画艺术家，牛津大学艺术学院出身，先后任职于皇家莎士比亚剧院、伦敦大剧院（英国国家歌剧院）、伦敦皇家剧院和巴斯皇家剧院。以对猫咪进行戏剧角色化描绘而闻名于世，取材自经典著名的绘画、戏剧、文学和电影，其作品永久性陈列于巴斯皇家剧院和圆形广场画廊。1990年以画集The Cats Gallery of Art享誉全球，之后出版十多部系列续作，被誉为艺术界的猫咪代言人。

Medical student Amy Brenner is spending the night on a locked psychiatric ward. Amy has been dreading her evening working on Ward D, the hospital’s inpatient mental health unit. There are very specific reasons why she never wanted to do this required overnight rotation. Reasons nobody can ever find out. And as the hours tick by, Amy grows increasingly convinced something terrib...(展开全部)